Julia
While Mark is still frolicking in the woods of Vermont, he left me this post for you all to ponder. Happy Halloween!!
I wrote the following script for a Halloween performance in Vermont called “The Haunted Forest.” A dead woman named Julia is summoned from the grave, blah blah blah. Now that it’s show time, they invited me out and offered to put me up in a local bed and breakfast. Very cool. I called the B&B this afternoon to make sure we were all booked in. The owner of the place knew who I was immediately and said: “I wanted you to know that my mother’s name was Julia and she lived in this house all her life. You may get to meet her when you’re least expecting it.”
So I guess I’m saying I may never come back from my trip. Vive the Lost Sole!
The Haunted Forest, 2006
“Julia”
Characters – 4:
Professor Bloodsworth;
Young, recently deceased Julia;
Two long dead Julias.
Costumes:
Bloodsworth: Tweed jacket, corduroys, a tie hung askew;
Young Julia: A white gown, powder or cream for the freshly dead pallor;
Long dead Julias: Rags that seem to drip from the body, gnarled hair, skeletal faces.
Props:
Headstones, crosses, dead flowers;
A simple pocket compass. A small box with dials.
Strobe light, sheet metal for thunder sound, fog machine
Set:
A small cemetery plot at the edge of the woods.
Scene:
On the night of the waning moon in late October, Professor Bloodsworth is back in the Vermont woods at the small graveyard where lies buried his beloved daughter Julia. Half insane with grief, disheveled and haggard, Bloodsworth stumbles to the tiny cemetery. We can hear him sobbing as he approaches the graves. In pain and exhaustion, he falls to his knees in front of a headstone that looks newer than the rest.
Bloodsworth: “All my life I’ve committed to science. And now this! Now my beloved daughter is dead!” and sobs at the graveside a little longer.
Bloodsworth, raising his head again and shaking a fist: “I dedicated my life to unraveling the mysteries of the universe! Tonight I will summons the power of the cosmos and the secrets of gravity!
He stands, arms upraised, beseeching the sky.
Bloodsworth, shouting: “Julia!”
He pulls a compass from a pocket and checks the dial. He adjusts the dial on a small box he has carried here with him. He considers the sky once more.
Bloodsworth: “Julia! Come back to me! The moon is right! All the powers of the universe are aligned! Return to me, Julia. Return while the window is open!”
There is a flash of light and a sharp crack from the trees, like thunder and lightening that has come from somewhere other than the sky. Bloodsworth stumbles back. Fog rolls from the trees and he shields his eyes. He rights himself and stares at the trees beyond his daughter’s grave.
And she emerges from the darkness. She is pale with dark hair hanging over her face, but unmistakably Julia. She shuffles as if in a daze from the trees. The white gown seems to glow. She turns her gaunt face up toward her father, who waits with outstretched arms.
Bloodsworth: “Julia!”
She takes a few shuffling steps closer, staring and holding her own arms out.
Young Julia, in a flat, lifeless tone: “Yes. Julia. I am Julia.”
Bloodsworth, in a swoon, collapses to the ground and groans with unimaginable relief. On his knees, he holds his arms wide and waits for his treasured daughter to come to him.
Bloodsworth: “Julia! My darling. You’ve come back to me. We will be together always.”
Julia ambles closer. Closer. Closer still. And then, another sharp crack of thunder. Blinding light from the trees. A shadow emerges from the darkness.
This one is dressed darkly, with cloth in rags seeming to drip from the body. The face is bloodless and gaunt, a mere film of old flesh against bone. The mouth is a skeletal rictus. The dead woman stumbles from the woods with even less grace than the younger girl. Her arms are outstretched and her voice and thick and wet.
Long Dead Julia: “Julia,” she croaks in that gargling voice. “I am Julia.”
Young Julia collapses into her father’s arms, screaming. He is also screaming. But there is more thunder. There is another flash of light. And another ghoulish figure steps from the trees, her cerements rotting and flapping in the wind. She comes shuffling across the graveyard, moaning and reaching with black boned fingers. Her voice is even more brittle than that of the corpse who came before her. It is the voice of graveyard dirt.
Long dead Julia number two: “I… am… Julia…”
Long dead Julia number one: “Julia. I am Julia. Who has called me forth?”
And the dead women shuffle forth and then fall upon the screaming pair at the edge of the young girl’s grave. There is screaming and biting and ripping. There is more thunder and more lightening as more dead Julias respond to the call. But for the grieving father Bloodsworth, the final darkness has fallen, and the light fades from the scene.
Lately I’ve been into Dracula. Not the vampire necessarily, but the 15th century tyrant Prince Vlad Dracul, hideously known as “Vlad the Impaler” to his intimates. Now there was a fun guy. In his battle for control of Romania, Dracul was known to display the bodies of his enemies impaled on stakes. Thousands upon thousands of bodies propped up before the castle like a forest of savagery.
WASHINGTON — Vice President Dick Cheney wasn’t referring to the controversial interrogation method of “water boarding” when he called dunking terror suspects in water “a very important tool” for obtaining information, the White House insisted Friday. White House spokesman Tony Snow, however, was unable to clarify what Cheney did mean in a Tuesday radio interview in which the vice president said that dunking detainees in water was “a no-brainer” if it saved American lives.

Last year in Lisbon, a man dressed as a giant tampon went to a party and caught fire. I am not making this up. We covered the story but the writer was fooled into believing the man had been wearing a sheep costume.
Back at the SJ, we were out there in a roadhouse along a dusty road, where any psychopath with an Internet connection could reel in with hate in his blood and a razor blade in his shoe. Or HER shoe, as was often the case.
Oct. 23, 2006 — It happens every year about now. “The Simpsons,” that animated money-making satire on Fox TV, airs its “Treehouse of Horror” episode to coincide with Halloween — or at least as close to the holiday as possible, given the uncertainties of the World Series.
We’re talking about a truly atrocious headline. But while we’re on the subject, should I be offended because I was never groped by a priest when I was a kid? Maybe I was an ugly child. Maybe I didn’t put out the right vibes. Maybe it’s this big, honking nose. I feel so overlooked. As far as I can remember, I never even had a teacher who touched me inappropriately. You can be honest with me, people. Is it because I looked like Blossom?
FERNDALE, Mich. (AP) — A Detroit man with a history of smashing store windows to grab female mannequins has been accused of indulging his fetish again. Ronald A. Dotson, 39, was arrested and jailed Oct. 9 after breaking a window at a cleaning-supply company to get at a mannequin in a black and white French maid’s uniform, police said.
WASHINGTON - Scientists are boldly going where only fiction has gone before — to develop a Cloak of Invisibility. It isn’t quite ready to hide a Romulan space ship from Capt. James T. Kirk or to disguise